Lareine Karpouzian. War Photography Reflection.

When I think of journalism, I am reminded of a profession that values truth above all else. To rightfully call oneself a journalist is to exhibit those qualities of honor, of privilege, and of genuine devotion to the craft.

            The documentary on James Nachtwey and his influence on war photography blew me away. Images of starving and emaciated children, grieving women, and war-torn villages truly amplified the meaning of being a war photographer. Nachtwey’s stoic exterior and calm demeanor may, upon first glance, suggest an uncaring and cold attitude, but if one were to look closely enough, Nachtwey’s boundless devotion and love for his craft are revealed.

            We live in a society that has begun to idealize superficiality and celebrity culture. Although causes and people who support those causes still exist, they are rapidly becoming outnumbered by pop culture bloggers. The societal atmosphere has become one characterized by shallow pursuits, covetousness, and selfish opportunity. Photographers like Nachtwey who attempt to bring forth the agony and authentic raw emotion that exists with war are doing society a grand favor. Nachtwey and his colleagues bring to light the devastation and famine that exists and is swept under the rug so many times.

            Nachtwey’s photographers in particular touched my heart. I found myself in silent tears as he photographed the grieving woman who lost her son, the emaciated mother and child, and the man missing an arm and a leg. Each of these photographs holds a story, and we were able to witness the tragedy behind the art. Nachtwey’s compositions are truly remarkable and unique: his photos speak volumes. A journalist can always speak about an issue and call attention to a societal conflict or problem, but a photo of the event or occurrence indicates power beyond words.

            This documentary and Nachtwey’s work holds a profound place within me and has caused me to acquire a new respect for the field of photo journalism. Not only is it a dangerous profession, but it is also a rewarding one. I could sense Nachtwey’s feelings of accomplishment and pride after showcasing his brilliant work, and I could also see his quiet stoicism and grief for those subjects he photographed. War photography is something that should gain more attention simply for its brilliance and expository qualities.